| T O P I C R E V I E W |
| Vlaadisha |
Posted - 09/06/2021 : 22:39:16
prethodna tema: Eisner Awards 2020
ovogodišnje nominacije:
2021 Eisner Nominees:
Best Short Story
“Garden Boys” by Henry McCausland, in Now #8 (Fantagraphics)
“I Needed the Discounts” by Connor Willumsen, in The New York Times (January 3, 2020) [https://www.nytimes.com/interactive/2020/01/03/opinion/connor-willumsen-privacy-comic.html]
“Parts of Us,” by Chan Chau, in Elements: Earth, A Comic Anthology by Creators of Color (Ascend Press)
“Rookie,” by Greg Rucka and Eduardo Risso, in Detective Comics #1027 (DC)
“Soft Lead,” by Chan Chau, https://chanchauart.com/comics#/soft-lead/
“When the Menopausal Carnival Comes to Town,” by Mimi Pond, in Menopause: A Comic Treatment (Graphic Medicine/Pennsylvania State University Press)
Best Single Issue
The Burning Hotels, by Thomas Lampion (Birdcage Bottom Books)
Hedra, by Jesse Lonergan (Image)
The Other History of the DC Universe #1, by John Ridley and Giuseppe Camuncoli (DC)
Sports Is Hell, by Ben Passmore (Koyama Press)
Stanley’s Ghost: A Halloween Adventure, by Jeff Balke, Paul Storrie, and Dave Alvarez (Storm Kids)
Best Continuing Series
Bitter Root, by David F. Walker, Chuck Brown, and Sanford Greene (Image)
Daredevil, by Chip Zdarsky and Marco Checchetto (Marvel)
The Department of Truth, by James Tynion IV and Martin Simmonds (Image)
Gideon Falls, by Jeff Lemire and Andrea Sorrentino (Image)
Stillwater, by Chip Zdarsky and Ramón K Pérez (Image/Skybound)
Usagi Yojimbo, by Stan Sakai (IDW)
Best Limited Series
Barbalien: Red Planet, by Jeff Lemire, Tate Brombal, and Gabriel Hernandez Walta (Dark Horse)
Decorum, by Jonathan Hickman and Mike Huddleston (Image)
Far Sector, by N. K. Jemisin and Jamal Campbell (DC)
Strange Adventures, by Tom King, Mitch Gerads, and Evan “Doc” Shaner (DC Black Label)
Superman’s Pal Jimmy Olsen, by Matt Fraction and Steve Lieber (DC)
We Live, by Inaki Miranda and Roy Miranda (AfterShock)
Best New Series
Black Widow, by Kelly Thompson and Elena Casagrande (Marvel)
Crossover, by Donny Cates and Geoff Shaw (Image)
The Department of Truth, by James Tynion IV and Martin Simmonds (Image)
Killadelphia, by Rodney Barnes and Jason Shawn Alexander (Image)
We Only Find Them When They’re Dead, by Al Ewing and Simone Di Meo (BOOM! Studios)
Best Publication for Early Readers (up to age 8)
Bear, by Ben Queen and Joe Todd-Stanton (Archaia/BOOM!)
Cat Kid Comic Club, by Dav Pilkey (Scholastic Graphix)
Donut Feed the Squirrels, by Mika Song (RH Graphic/RH Children’s Books)
Kodi, by Jared Cullum (Top Shelf)
Lift, by Minh Lê and Dan Santat (Little, Brown Young Readers)
Our Little Kitchen, by Jillian Tamaki (Abrams Books for Young Readers)
Best Publication for Kids (ages 9-12)
Doodleville, by Chad Sell (Knopf/BFYR/RH Children’s Books)
Go with the Flow, by Lily Williams and Karen Schneemann (First Second/Macmillan)
Mister Invincible: Local Hero, by Pascal Jousselin (Magnetic Press)
Snapdragon, by Kat Leyh (First Second/Macmillan)
Superman Smashes the Klan, by Gene Luen Yang and Gurihiru (DC)
Twins, by Varian Johnson and Shannon Wright (Scholastic Graphix)
Best Publication for Teens (ages 13-17)
Check, Please! Book 2: Sticks & Scones, by Ngozi Ukazu (First Second/Macmillan)
Displacement, by Kiku Hughes (First Second/Macmillan)
Dragon Hoops, by Gene Luen Yang (First Second/Macmillan)
Fights: One Boy’s Triumph Over Violence, by Joel Christian Gill (Oni Press)
A Map to the Sun, by Sloane Leong (First Second/Macmillan)
When Stars Are Scattered, by Victoria Jamieson and Omar Mohamed (Dial Books)
Best Humor Publication
The Complete Fante Bukowski, by Noah Van Sciver (Fantagraphics)
Department of Mind-Blowing Theories, by Tom Gauld (Drawn & Quarterly)
FANGS, by Sarah Andersen (Andrews McMeel)
Wendy, Master of Art, by Walter Scott (Drawn & Quarterly)
Superman’s Pal Jimmy Olsen, by Matt Fraction and Steve Lieber (DC)
What If We Were . . ., by Axelle Lenoir (Top Shelf)
Best Anthology
Ex Mag, vols. 1–2, edited by Wren McDonald (PEOW)
Guantanamo Voices: True Accounts from the World’s Most Infamous Prison, edited by Sarah Mirk (Abrams)
Hey, Amateur! Go From Novice to Nailing It in 9 Panels, edited and curated by Shelly Bond (IDW Black Crown)
Los Angeles Times, edited by Sammy Harkham (NTWRK)
Menopause: A Comic Treatment, edited by MK Czerwiec (Graphic Medicine/Pennsylvania State University Press)
Now, edited by Eric Reynolds (Fantagraphics)
Best Reality-Based Work
Big Black: Stand at Attica, by Frank “Big Black” Smith, Jared Reinmuth, and Améziane (Archaia/BOOM!)
Dragon Hoops, by Gene Luen Yang (First Second/Macmillan)
Invisible Differences: A Story of Asperger’s, Adulting, and Living a Life in Full Color, by Mme Caroline and Julie Dachez, translation by Edward Gauvin (Oni Press)
Kent State: Four Dead in Ohio, by Derf Backderf (Abrams)
Paying the Land, by Joe Sacco (Metropolitan/Henry Holt)
Year of the Rabbit, by Tian Veasna, translation by Helge Dascher (Drawn & Quarterly)
Best Graphic Memoir
Banned Book Club, by Kim Hyun Sook, Ryan Estrada, and Ko Hyung-Ju (Iron Circus)
Dancing After TEN: A Graphic Memoir, by Vivian Chong and Georgia Webber (Fantagraphics)
Ginseng Roots, by Craig Thompson (Uncivilized)
I Don’t Know How to Give Birth! by Ayami Kazama, translated by Julie Goniwich (Yen Press)
The Loneliness of the Long-Distance Cartoonist, by Adrian Tomine (Drawn & Quarterly)
When Stars Are Scattered, by Victoria Jamieson and Omar Mohamed (Dial Books)
Best Graphic Album—New
The Book Tour, by Andi Watson (Top Shelf)
Dragman, by Steven Appleby (Metropolitan)
Flake, by Matthew Dooley (Jonathan Cape)
Labyrinth, by Ben Argon (Abrams)
Paul at Home, by Michel Rabagliati, translation by Helge Dascher and Rob Aspinall (Drawn & Quarterly)
Pulp, by Ed Brubaker and Sean Phillips (Image)
Best Graphic Album—Reprint
Black Hammer Library Edition, vol. 2, by Jeff Lemire, Dean Ormstom, Emi Lenox, and Rich Tommaso (Dark Horse)
Criminal Deluxe Edition, vol. 3, by Ed Brubaker and Sean Phillips (Image)
Eight-Lane Runaways, by Henry McCausland (Fantagraphics)
Fante Bukowski: The Complete Works, by Noah Van Sciver (Fantagraphics)
Herobear and the Kid: The Heritage, by Mike Kunkel (Astonish Factory)
Seeds and Stems, by Simon Hanselmann (Fantagraphics)
Best Adaptation from Another Medium
Constitution Illustrated, by R. Sikoryak (Drawn & Quarterly)
Parable of the Sower: The Graphic Novel Adaptation, by Octavia E. Butler, adapted by Damian Duffy and John Jennings (Abrams)
Sapiens: A Graphic History: The Birth of Mankind, vol. 1, by Yuval Noah Harari, adapted by David Vandermeulen and Daniel Casanave (Harper Perennial)
Slaughterhouse-Five, by Kurt Vonnegut, adapted by Ryan North and Albert Monteys (Archaia/BOOM!)
Superman Smashes the Klan, adapted by Gene Luen Yang and Gurihiru (DC)
Best U.S. Edition of International Material
Altitude, by Olivier Bocquet and Jean-Marc Rochette, translation by Edward Gauvin (SelfMadeHero)
Gamayun Tales I: An Anthology of Modern Russian Folk Tales, by Alexander Utkin, translation by Lada Morozova (Nobrow)
Goblin Girl, by Moa Romanova, translation by Melissa Bowers (Fantagraphics)
Irena Books 2-3, by Jean-David Morvan, Severine Tréfouël, and David Evrard, translation by Dan Christensen (Magnetic Press)
When You Look Up, by Decur, translation by Chloe Garcia Roberts (Enchanted Lion Books)
The Winter of the Cartoonist, by Paco Roca, translation by Erica Mena (Fantagraphics)
Best U.S. Edition of International Material—Asia
I Had That Same Dream Again, by Yoru Sumino and Idumi Kirihara, translation by Beni Axia Conrad (Seven Seas)
I Wish I Could Say “Thank You,” by Yukari Takinami, translation by Yukari Takeuchi (Fanfare/Ponent Mon)
A Journal Of My Father, by Jiro Taniguchi, translation by Kumar Sivasubramanian (Fanfare/Ponent Mon)
Ping Pong, vols. 1–2, by Taiyo Matsumoto, translation by Michael Arias (VIZ Media)
Remina, by Junji Ito, translation by Jocelyne Allen (VIZ Media)
Spy x Family, vols. 1–3, by Tatsuya Endo, translation by Casey Loe (VIZ Media)
Best Archival Collection/Project—Strips
The Flapper Queens: Women Cartoonists of the Jazz Age, edited by Trina Robbins (Fantagraphics)
Gross Exaggerations: The Meshuga Comic Strips of Milt Gross, by Milt Gross, edited by Peter Maresca (Sunday Press/IDW)
Krazy & Ignatz 1919-1921 by George Herriman, edited by RJ Casey (Fantagraphics)
Little Debbie and the Second Coming of Elmo: Daily Comic Strips, August 1960–September 1961, by Cecil Jensen, edited by Frank Young (Labor of Love)
Pogo The Complete Syndicated Comic Strips: Volume 7: Clean as a Weasel, by Walt Kelly, edited by Mark Evanier and Eric Reynolds (Fantagraphics)
Best Archival Collection/Project—Comic Books
Art Young’s Inferno, by Art Young, edited by Glenn Bray (Fantagraphics)
Atlas at War! edited by Michael J. Vassallo (Dead Reckoning)
The Complete Hate, by Peter Bagge, edited by Eric Reynolds (Fantagraphics)
Corto Maltese: The Ballad of the Salty Sea, by Hugo Pratt, translation by Dean Mullaney and Simone Castaldi (EuroComics/IDW)
Little Lulu: The Fuzzythingus Poopi, by John Stanley, edited by Frank Young and Tom Devlin (Drawn & Quarterly)
Man and Superman and Other Stories, by Harvey Kurtzman, edited by J. Michael Catron (Fantagraphics)
Best Writer
Ed Brubaker, Pulp, Reckless (Image); Friday (Panel Syndicate)
Matt Fraction, Superman’s Pal Jimmy Olsen (DC); Adventureman, November vols. 2–3, Sex Criminals (Image)
Jonathan Hickman, Decorum (Image); Giant-Size X-Men, X-Men OTHERS?? (Marvel)
Jeff Lemire, Barbalien, Black Hammer, Colonel Weird: Cosmagog (Dark Horse); The Question: The Deaths of Vic Sage (DC Black Label); Family Tree, Gideon Falls (Image)
James Tynion IV, Something Is Killing the Children, Wynd (BOOM! Studios); Batman (DC); The Department of Truth (Image); Razorblades (Tiny Onion)
Chip Zdarsky, Stillwater (Image/Skybound), Daredevil, Fantastic Four/X-Men (Marvel)
Best Writer/Artist
Junji Ito, Remina, Venus in the Blind Spot (VIZ Media)
Pascal Jousselin, Mister Invincible: Local Hero (Magnetic Press)
Trung Le Nguyen, The Magic Fish (RH Graphic/RH Children’s Books)
Craig Thompson, Ginseng Roots (Uncivilized)
Adrian Tomine, The Loneliness of the Long-Distance Cartoonist (Drawn & Quarterly)
Gene Luen Yang, Dragon Hoops (First Second/Macmillan)
Best Penciller/Inker or Penciller/Inker Team
Michael Allred, Bowie: Stardust, Rayguns & Moonage Daydreams (Insight Editions)
Marco Chechetto, Daredevil (Marvel)
Jorge Corona, Middlewest (Image)
Bertrand Gatignol, Pistouvi (Magnetic Press)
Mitch Gerads/Evan “Doc” Shaner, Strange Adventures (DC Black Label)
Sanford Greene, Bitter Root (Image)
Best Painter/Multimedia Artist (interior art)
Benjamin Adam, Soon (Europe Comics)
Alice Chemama, The Zolas (Europe Comics)
Jared Cullum, Kodi (Top Shelf)
Decur, When You Look Up (Enchanted Lion Books)
Antonio Lapone, Gentlemind (Europe Comics)
Anand RK/John Pearson, Blue in Green (Image)
Best Cover Artist
Jamal Campbell, Mighty Morphin Power Rangers (BOOM! Studios); Far Sector (DC)
Simone Di Meo, We Only Find Them When They’re Dead (BOOM! Studio)
Mike Huddleston, Decorum (Image)
Dave Johnson, Butcher of Paris (Dark Horse)
Peach Momoko, Buffy the Vampire Slayer #19, Mighty Morphin #2, Something Is Killing the Children #12, Power Rangers #1 (BOOM! Studios); DIE!namite, Vampirella (Dynamite); The Crow: Lethe (IDW); Marvel Variants (Marvel)
Ramón K. Pérez, Stillwater (Image/Skybound)
Best Coloring
Laura Allred, X-Ray Robot (Dark Horse); Bowie: Stardust, Rayguns & Moonage Daydreams (Insight Editions)
Jean-Francois Beaulieu, Middlewest (Image)
Gipi, One Story (Fantagraphics)
Marte Gracia, Empyre, X of Swords (Marvel)
Dave Stewart, Promethee 13:13 (comiXology); Black Hammer (Dark Horse); Gideon Falls (Image); Spider-Man #4-#5 (Marvel)
Matt Wilson, Undiscovered Country (Image); Fire Power (Image/Skybound); Thor (Marvel)
Best Lettering
Mike Allred, Bowie: Stardust, Rayguns & Moonage Daydreams (Insight Editions)
Deron Bennett, Bear, The Sacrifice of Darkness (Archaia); King of Nowhere, Something Is Killing the Children, We Only Find Them When They’re Dead (BOOM! Studios); Far Sector, Harley Quinn: Black + White + Red, Martian Manhunter (DC); Excellence (Image/Skybound); A Dark Interlude, Dark One, Relics of Youth, Resonant, Shadow Service, Vampire: The Masquerade: Winter’s Teeth (Vault); Ping Pong (VIZ Media)
Aditya Bidikar, Barbalien: Red Planet, Grafity’s Wall Expanded Edition (Dark Horse); John Constantine, Hellblazer (DC); A Map to the Sun (First Second); The Department of Truth, Lost Soldiers (Image); Giga, The Picture of Everything Else (Vault)
Clayton Cowles, Aquaman, Batman, Batman and the Outsiders, Strange Adventures, Superman: Man of Tomorrow, Superman’s Pal Jimmy Olsen (DC); Adventureman, Bitter Root, Bog Bodies, Die (Image); Reaver (Image/Skybound); Morbius, X Of Swords (Marvel)
Stan Sakai, Usagi Yojimbo (IDW)
Rus Wooton, Wonder Woman: Dead Earth (DC); Decorum, Monstress (Image); Die!Die!Die!, Fire Power, Oblivion Song, Outcast, Stillwater (Image/Skybound)
Best Comics-Related Journalism/Periodical
Alter Ego, edited by Roy Thomas (TwoMorrows)
Back Issue, edited by Michael Eury (TwoMorrows)
The Comics Blog, by Michael Cavna and David Betancourt, https://www.washingtonpost.com/entertainment/comics/
The Comics Journal, edited by RJ Casey, Kristy Valenti, and Gary Groth (Fantagraphics)
PanelxPanel magazine, edited by Hassan Otsmane-Elhaou, PanelxPanel.com
Women Write About Comics, edited by Nola Pfau and Wendy Browne, www.WomenWriteAboutComics.com
Best Comics-Related Book
American Daredevil: Comics, Communism, and the Battles of Lev Gleason, by Brett Dakin (Comic House/Lev Gleason)
Ditko Shrugged: The Uncompromising Life of the Artist Behind Spider-Man and the Rise of Marvel Comics, by David Currie (Hermes Press)
Drawing Fire: The Editorial Cartoons of Bill Mauldin, edited by Todd DePastino (Pritzker Military Museum & Library)
The History of EC Comics, by Grant Geissman (TASCHEN)
Invisible Men: The Trailblazing Black Artists of Comic Books, by Ken Quattro (Yoe Books/IDW)
Masters of British Comic Art, by David Roach (2000AD)
Best Academic/Scholarly Work
Comic Art in Museums, edited by Kim A. Munson (University Press of Mississippi)
Comic Studies: A Guidebook, edited by Charles Hatfield and Bart Beaty (Rutgers University Press)
The Content of Our Caricature: African American Comic Art and Political Belonging, by Rebecca Wanzo (New York University Press)
Webcomics, by Sean Kleefeld (Bloomsbury)
Who Understands Comics: Questioning the Universality of Visual Language Comprehension, by Neil Cohn (Bloomsbury)
Best Publication Design
Chasin’ the Bird: Charlie Parker in California deluxe edition, designed by David Chisholm and Tyler Boss (Z2 Comics)
Dbury@50: The Complete Digital Doonesbury, by G.B. Trudeau, designed by George Corsillo and Susan McCaslin (Andrews McMeel)
J & K, designed by John Pham (Fantagraphics)
The Loneliness of the Long-Distance Cartoonist, designed by Adrian Tomine and Tracy Huron (Drawn & Quarterly)
Best Publication Design: Original Art: The Dan Clowes Studio Edition, designed by Daniel Clowes (Fantagraphics)
Best Digital Comic
Friday, by Ed Brubaker and Marcos Martin (Panel Syndicate)
Genius Animals? by Vali Chandrasekaran and Jun-Pierre Shiozawa, geniusanimals.net
Gentlemind, by Juan Díaz Canales, Teresa Valero, and Antonio Lapone, translation by Jeremy Melloul (Europe Comics)
Promethee 13:13, by Andy Diggle and Shawn Martinbrough (comiXology Originals/Delcourt)
Olive, by Véro Cazot and Lucy Mazel, translation by Jessie Aufiery (Europe Comics)
Soon, by Thomas Cadène and Benjamin Adam, translation by Margaret Besser (Europe Comics)
Best Webcomic
BFF, by Clément C. Fabre, Joseph Saffiedine, and Thomas Cadène, translation by Emma Wilson, https://www.webtoonfactory.com/en/webtoons/114-bff-saison-1/
Crisis Zone, by Simon Hanselmann, https://www.instagram.com/simon.hanselmann/
DPS! Only, by Vel, https://tapas.io/series/dpsonly/info
Isle of Elsi, by Alec Longstreth, https://www.isleofelsi.com/comics/ioe4/page-208/
The Kiss Bet, by Ingrid Ochoa, https://www.webtoons.com/en/romance/the-kiss-bet/ep-1-the-kiss-bet/viewer?title_no=1617&episode_no=1
The Middle Age, by Steve Conley, middleagecomic.com |
| 25 L A T E S T R E P L I E S (Newest First) |
| verab |
Posted - 15/05/2025 : 21:08:00
2025 Eisner Nominees
Best Short Story
“Anything Sinister,” by Ross Murray, in NOW #13 (Fantagraphics)
“Day 1703,” by Chris Ware, in Smoke Signal #43 (Desert Island)
“Pig” by Stacy Gougoulis, in NOW #13 (Fantagraphics)
“Spaces,” by Phil Jimenez, in DC Pride 2024 #1 (DC)
“Water I’ve Loved: Moving Day” by Pam Wye, in MUTHA magazine, https://www.muthamagazine.com/2024/05/water-ive-loved-moving-day/
“You Cannot Live on Bread Alone” by Kayla E., in NOW #13 (Fantagraphics)
Best Single Issue/One-Shot
Abortion Pill Zine: A Community Guide to Misoprostol and Mifepristone by Isabella Rotman, Marnie Galloway, and Sage Coffey (Silver Sprocket)
Ice Cream Man #39: “”Decompression in a Wreck, Part One,” by W. Maxwell Prince and Martin Morazzo (Image Comics)
PeePee PooPoo #1, by Caroline Cash (Silver Sprocket)
Sunflowers, by Keezy Young (Silver Sprocket)
Unwholesome Love, by Charles Burns (co-published with Partners and Son)
The War on Gaza, by Joe Sacco (Fantagraphics)
Best Continuing Series
The Department of Truth, by James Tynion IV and Martin Simmonds (Image)
Detective Comics: Detective Comics, by Ram V, Tom Taylor, Riccardo Federici, Stefano Raffaele, Javier Fernandez, Christian Duce, March, and Mikel Janín (DC)
Fantastic Four, by Ryan North, Carlos Gomez, Ivan Fiorelli, and others (Marvel)
Santos Sisters, by Greg & Fake, Graham Smith, Dave Landsberger, and Marc Koprinarov (Floating World)
Ultimate Spider-Man, by Jonathan Hickman and Marco Checchetto (Marvel)
Wonder Woman, by Tom King and Daniel Sampere (DC)
Best Limited Series
Alan Scott: The Green Lantern, by Tim Sheridan and Cian Tormey (DC)
Animal Pound, by Tom King and Peter Gross (BOOM! Studios)
The Deviant, by James Tynion IV and Joshua Hixson (Image)
Helen of Wyndhorn. by Tom King and Bilquis Evely (Dark Horse)
Rare Flavours, by Ram V and Filipe Andrade (BOOM! Studios)
Zatanna: Bring Down the House, by Mariko Tamaki and Javier Rodriguez (DC)
Best New Series
Absolute Batman, by Scott Snyder and Nick Dragotta (DC)
Absolute Wonder Woman, by Kelly Thompson and Hayden Sherman (DC)
Minor Arcana, by Jeff Lemire (BOOM! Studios)
The Pedestrian, by Joey Esposito and Sean Von Gorman (Magma Comix)
The Power Fantasy, by Kieron Gillen and Caspar Wijngaard (Image)
Uncanny Valley, by Tony Fleecs and Dave Wachter (BOOM! Studios)
Best Publication for Early Readers
Bog Myrtle, by Sid Sharp (Annick Press)
Club Microbe, by Elise Gravel, translated by Montana Kane (Drawn & Quarterly)
Hilda and Twig Hide from the Rain, by Luke Pearson (Flying Eye)
Night Stories, by Liniers (Astra Books)
Poetry Comics, by Grant Snider (Chronicle Books)
Best Publication for Kids
How It All Ends, by Emma Hunsinger (Greenwillow/HarperCollins Early Readers)
Next Stop, by Debbie Fong (Random House Graphic/Random House Children’s Books)
Plain Jane and the Mermaid, by Vera Brosgol (First Second/Macmillan)
Weirdo, by Tony Weaver Jr. and Jes & Cin Wibowo (First Second/Macmillan)
Young Hag and the Witches’ Quest, by Isabel Greenberg (Abrams Fanfare)
Best Publication for Teens
Ash’s Cabin, by Jen Wang (First Second/Macmillan)
Big Jim and the White Boy, by David F. Walker and Marcus Kwame Anderson (Ten Speed Graphic)
The Deep Dark by Molly Knox Ostertag (Scholastic)
The Gulf, by Adam de Souza (Tundra)
Lunar New Year Love Story, by Gene Luen Yang and LeUyen Pham (First Second/Macmillan)
Out of Left Field, by Jonah Newman (Andrews McMeel)
Best Humor Publication
Adulthood is a Gift! by Sarah Andersen (Andrews McMeel)
Forces of Nature, by Edward Steed (Drawn & Quarterly)
Kids Are Still Weird: And More Observations from Parenthood, by Jeffrey Brown (NBM)
A Pillbug Story, by Allison Conway (Black Panel Press)
Processing: 100 Comics That Got Me Through It, by Tara Booth (Drawn & Quarterly)
Best Anthology
EC Cruel Universe, edited by Sierra Hahn and Matt Dryer (Oni Press)
Godzilla’s 70th Anniversary, edited by Jake Williams and others (IDW)
Now: The New Comics Anthology #13, edited by Eric Reynolds (Fantagraphics)
Peep #1, edited by Sammy Harkham and Steve Weissman (Brain Dead/Kyle Ng)
So Buttons #14: “Life and Death,” by Jonathan Baylis and various artists (So Buttons Comix)
Best Reality-Based Work
Djuna, by Jon Macy (Street Noise Books)
The Heart That Fed: A Father, a Son, and the Long Shadow of War, by Carl Sciacchitano (Gallery 13/S&S)
The Mythmakers: The Remarkable Fellowship of C. S. Lewis & J. R. R. Tolkien, by John Hendrix (Abrams Fanfare)
The Puerto Rican War: A Graphic History, by John Vasquez Mejias (Union Square)
Suffrage Song: The Haunted History of Gender, Race, and Voting Rights in the U.S., by Caitlin Cass (Fantagraphics)
Best Graphic Memoir
Degrees of Separation: A Decade North of 60, by Alison McCreesh (Conundrum)
Feeding Ghosts: A Graphic Memoir, by Tessa Hulls (MCD/Farrar, Straus & Giroux)
The Field, by David Lapp (Conundrum)
I’m So Glad We Had This Time Together: A Memoir, by Maurice Vellekoop (Pantheon)
Something, Not Nothing: A Story of Grief and Love, by Sarah Leavitt (Arsenal Pulp Press)
Best Graphic Album—New
Final Cut, by Charles Burns (Pantheon)
Lunar New Year Love Story, by Gene Luen Yang and LeUyen Pham (First Second/Macmillan)
My Favorite Thing Is Monsters Book Two, by Emil Ferris (Fantagraphics)
Sunday, by Olivier Schrauwen (Fantagraphics)
Victory Parade, by Leela Corman (Pantheon)
Best Graphic Album—Reprint
Breaking the Chain: The Guard Dog Story, by Patrick McDonnell (Abrams ComicArts)
Lackadaisy, vols. 1–2, by Tracy J. Butler (Iron Circus)
The One Hand and The Six Fingers, by Ram V, Dan Watters, Laurence Campbell, and Sumit Kumar (Image)
Rescue Party: A Graphic Anthology of COVID Lockdown, edited by Gabe Fowler (Pantheon)
Seattle Samurai: A Cartoonist’s Perspective of the Japanese American Experience, by Kelly Goto and Sam Goto (Chin Music Press)
UM Volume One, by buttercup (Radiator Comics)
Best Adaptation from Another Medium
Thomas Piketty’s Capital & Ideology: A Graphic Novel Adaptation, by Clare Alot and Benjamin Adam (Abrams ComicArts)
The Hidden Life of Trees, by Peter Wohlleben, adapted by Benjamin Flao and Fred Bernard (Greystone)
The Road, by Cormac McCarthy, adapted by Manu Larcenet (Abrams)
Winnie-the-Pooh, by A. A. Milne, adapted by Travis Dandro (Drawn & Quarterly)
The Worst Journey in the World, Volume 1: Making Our Easting Down, by Apsley Cherry-Garrard, adapted by Sarah Airriess (Iron Circus)
Best U.S. Edition of International Material
All Princesses Die Before Dawn, by Quentin Zuttion (Abrams ComicArts)
The Jellyfish, by Boum, translated by Robin Lang and Helge Dascher (Pow Pow Press)
Mothballs, by Sole Otero; translated by Andrea Rosenberg (Fantagraphics)
Return to Eden, by Paco Roca; translated by Andrea Rosenberg (Fantagraphics)
Sunday, by Olivier Schrauwen (Fantagraphics)
Best U.S. Edition of International Material—Asia
Ashita no Joe: Fighting for Tomorrow, by Asao Takamori and Tetsuya Chiba, translated by Asa Yonola (Kodansha)
Hereditary Triangle, by Fumiya Hayashi, translated by Alethea and Athena Nibley (Yen Press)
Kagurabachi, vol. 1, by Takeru Hokazono, translated by Camellia Nieh (VIZ Media)
Last Quarter, vol. 1, by Ai Yazawa, translated by Max Greenway (VIZ Media)
Search and Destroy vol. 1, by Atsushi Kaneko, based on the work of Osamu Tezuka; translated by Ben Applegate (Fantagraphics)
Tokyo These Days, vols. 1–3, by Taiyo Matsumoto, translated by Michael Arias (VIZ Media)
Best Archival Collection/Project—Strips
All In Line, by Saul Steinberg (New York Review Books)
Frank Johnson, Secret Pioneer of American Comics, vol. 1, edited by Chris Byrne and Keith Mayerson (Fantagraphics)
Stan Mack’s Real-Life Funnies: The Collected Conceits, Delusions, and Hijinks of New Yorkers from 1974 to 1995, by Stan Mack, edited by Gary Groth (Fantagraphics)
Thorn: The Complete Proto-BONE Strips 1982–1986, and Other Early Drawings, by Jeff Smith (Cartoon Books)
Best Archival Collection/Project—Comic Books
The Complete Web of Horror, edited by Dana Marie Andra (Fantagraphics)
David Mazzucchelli’s Batman Year One Artist’s Edition, by Frank Miller and David Mazzucchelli, edited by Scott Dunbier (IDW)
DC Comics Style Guide (Standards Manual)
The Farewell Song of Marcel LaBrume, by Attilio Micheluzzi, edited by Gary Groth and Conrad Groth (Fantagraphics)
Wally Wood from Witzend: Complete Collection, commentary by J. David Spurlock (Vanguard)
X-Men: The Manga Remastered, vol. 1, edited by Glenn Greenberg and others (VIZ Media)
Best Comics-Related Periodical/Journalism
The Beat, edited by Heidi MacDonald and others,, https://www.comicsbeat.com
ICv2: The Business of Pop Culture, edited by Milton Griepp, icv2.com
INKS, The Journal of the Comics Studies Society, edited by Susan Kirtley (Ohio State University Press)
SOLRAD: The Online Literary Magazine for Comics, edited by Daniel Elkin, www.solrad.co (Fieldmouse Press)
Zdarsky Comics News, edited by Allison O’Toole (Chip Zdarsky)
Best Comics-Related Book
American Comic Book Chronicles: 1945-49, by Keith Dallas, John Wells, Richard Arndt, and Kurt Mitchell (TwoMorrows)
Kate Carew: America’s First Great Woman Cartoonist, by Eddie Campbell with Christine Chambers (Fantagraphics)
Q&A, by Adrian Tomine (Drawn & Quarterly)
Reading Love and Rockets, by Marc Sobel (Fantagraphics)
Tell Me a Story Where the Bad Girl Wins: The Life and Art of Barbara Shermund, by Caitlin McGurk (Fantagraphics)
Walt Disney’s Donald Duck: The Ultimate History, edited by Daniel Kothen Schulte with text by David Gerstein and J. B. Kaufman (TASCHEN)
Best Academic/Scholarly Work
Comics and Modernism: History, Form, and Culture, edited by Jonathan Najarian (University Press of Mississippi)
Drawing (in) the Feminine: Bande Dessinée and Women, edited by Margaret C. Flinn (Ohio State University Press)
From Gum Wrappers to Richie Rich: The Materiality of Cheap Comics, by Neale Barnholden (University Press of Mississippi)
Petrochemical Fantasies: The Art and Energy of American Comics, by Daniel Worden (Ohio State University Press)
Singular Sensations: A Cultural History of One-Panel Comics in the United States, by Michelle Ann Abate (Rutgers University Press)
Best Publication Design
Bill Ward: The Fantagraphics Studio Edition, designed by Kayla E. (Fantagraphics)
Brian Bolland: Batman The Killing Joke and Other Stories & Art, Gallery Edition, designed by Josh Beatman (Graphitti Designs)
David Mazzucchelli’s Batman Year One Artist’s Edition, designed by Chip Kidd (IDW)
One Bite at a Time, designed by Ryan Claytor (Elephant Eater Comics)
Scott Pilgrim 20th Anniversary Color Hardcover Box Set, designed by Patrick Crotty (Oni Press)
Walt Disney’s Donald Duck: The Ultimate History, designed by Anna-Tina Kessler (TASCHEN)
Best Digital Comic
The Beauty Salon, based on the novella by Mario Bellatin, adapted by Quentin Zuttion; translated by M. B. Valente (Europe Comics)
Beyond the Sea, by Anaïs Flogny; translated by Dan Christensen (Europe Comics)
Gonzo: Fear and Loathing in America, by Morgan Navarro; translated by Tom Imber (Europe Comics)
My Journey to Her, by Yuna Hirasawa (Kodansha)
The Spider and the Ivy, by Grégoire Carle; translated by M. B. Valente (Europe Comics)
Best Webcomic
The Accidental Undergrad, by Christian Giroux, https://solrad.co/tag/the-accidental-undergrad (Fieldmouse Press)
Life After Life, by Joshua Barkman, https://falseknees.com/comics/24ink1.html (False Knees)
Motherlover, by Lindsay Ishihiro, https://motherlovercomic.com (Iron Circus) Practical Defence Against Piracy, by Tony Cliff, https://www.delilahdirk.com/dd4/dd4-p188.html
Rigsby WI, by S. E. Case, https://rigsbywi.com (Iron Circus)
Best Writer
Tom King, Archie: The Decision (Archie); Animal Pound (BOOM! Studios); Helen of Wyndhorn (Dark Horse); Jenny Sparks, The Penguin, Wonder Woman (DC)
Ram V, Rare Flavours (BOOM! Studios); Dawnrunner (Dark Horse); The One Hand (Image); Universal Monsters: Creature from the Black Lagoon Lives! (Image Skybound)
Kelly Thompson, Absolute Wonder Woman, Birds of Prey (DC); Scarlett (Image Skybound); Venom War: It’s Jeff #1 (Marvel)
Best Writer: James Tynion IV, Something Is Killing the Children, Wynd (BOOM! Studios); Blue Book, The Oddly Pedestrian Life of Christopher Chaos (Dark Horse); Spectregraph (DSTLRY); The Department of Truth, The Deviant, WORLDTR33 (Image)
Gene Luen Yang, Lunar New Year Love Story (First Second/Macmillan)
Best Writer/Artist
Charles Burns, Kommix (Fantagraphics); Final Cut (Pantheon); Unwholesome Love (co-published with Partners & Son)
Emil Ferris, My Favorite Thing Is Monsters Book Two (Fantagraphics)
Jon Macy, Djuna (Street Noise Books)
Paco Roca, Return to Eden (Fantagraphics)
Olivier Schrauwen, Sunday (Fantagraphics)
Maria Sweeney, Brittle Joints (Street Noise Books)
Best Penciller/Inker or Penciller/Inker Team
Filipe Andrade, Rare Flavours (BOOM! Studios)
Nick Dragotta, Absolute Batman (DC)
Bilquis Evely, Helen of Wyndhorn (Dark Horse)
Manu Larcenet, The Road (Abrams ComicArts)
Javier Rodriguez, Zatanna: Bring Down the House (DC)
LeUyen Pham, Lunar New Year Love Story (First Second/Macmillan)
Best Painter/Multimedia Artist
Frederic Bremaud and Federico Bertolucci, Donald Duck: Vacation Parade (Fantagraphics)
Leela Corman, Victory Parade (Pantheon)
Benjamin Flao The Hidden Life of Trees (Greystone)
Merwan, Aster of Pan (Magnetic Press)
Eduardo Risso, The Blood Brothers Mother (DSTLRY)
Maria Sweeney, Brittle Joints (Street Noise Books)
Best Cover Artist
Juni Ba, The Boy Wonder (DC); Godzilla Skate or Die, TMNT Nightwatcher and others (IDW)
Evan Cagle, Dawnrunner (Dark Horse), New Gods, Detective Comics
Bilquis Evely, Animal Pound (BOOM!); Helen of Wyndhorn (Dark Horse)
Tula Lotay, Helen of Wyndhorn #1, Count Crowley: Mediocre Midnight Monster Hunter #3, Dawnrunner #1, Barnstormers TPB (Dark Horse); Somna and other titles (DSTLRY); The Horizon Experiment (Image)
Hayden Sherman, Absolute Wonder Woman, Batman: Dark Patterns, Superman, Ape-ril, Batman: The Brave and the Bold) (DC)
Best Coloring
Jordie Bellaire, Absolute Wonder Woman, Birds of Prey, John Constantine, Hellblazer: Dead in America, The Nice House by the Sea (DC); The City Beneath Her Feet (DSTLRY); The Exorcism at 1600 Penn (IDW; W0rldtr33 (Image); G.I. Joe, Duke (Image Skybound)
Matheus Lopes, Batman & Robin: Year One (DC); Helen of Wyndhorn (Dark Horse)
Justin Prokowich, Jimi Hendrix: Purple Haze (Titan Comics)
Javier Rodriguez, Zatanna: Bring Down the House) (DC)
Dave Stewart, Dawnrunner, Free Comic Book Day Comic 2024 [general], The Serpent in the Garden, Hellboy, Hellboy and the BPRD, Paranoid Gardens, Shaolin Cowboy Cruel to Be Kin Silent but Deadly Edition (Dark Horse); Ultramega, Universal Monsters: Creature from the Black Lagoon Lives! (Image Skybound)
Quentin Zuttion, All Princesses Die Before Dawn (Abrams ComicArts); Beauty Salon (Europe Comics)
Best Lettering
Becca Carey, Absolute Superman, Absolute Wonder Woman, Plastic Man No More! (DC); Radiant Black, Rogue Sun (Image); When the Blood Has Dried, Murder Kingdom (Mad Cave Studios)
Leela Corman, Victory Parade (Pantheon)
Clayton Cowles, Animal Pound (BOOM! Studios); FML, Helen of Wyndhorn (Dark Horse); Absolute Batman, Batman, Batman & Robin: Year One, Birds of Prey, Jenny Sparks, Wonder Woman (DC); Strange Academy, Venom (Marvel)
Emil Ferris, My Favorite Thing Is Monsters, Book Two (Fantagraphics)
Nate Powell, Fall Through (Abrams ComicArts); Lies My Teacher Told Me (New Press)
https://www.comic-con.org/awards/eisner-awards/?gad_source=1&gad_campaignid=15294682691&gbraid=0AAAAABgQqa3zVtbyhDSzyU-jR8hgAO39K&gclid=Cj0KCQjwoZbBBhDCARIsAOqMEZVk4WbubfMt_UVZcSBC-ms-0u0oPnyzzLHcTgx0SiuiuNB3K9B2rqEaAoF5EALw_wcB&mc_cid=be3038cf07&mc_eid=26743e6ec2 |
| naker |
Posted - 02/03/2025 : 22:32:21
Clowes i Junji prva dva pika na draftu.
Romita junior može u hall of fame za zlatnu malinu. |
| fler |
Posted - 01/03/2025 : 20:06:36
Alcala i Ito, bez dileme.
Onda, Romita Jr. i Veitch. |
| Vlaadisha |
Posted - 01/03/2025 : 19:57:19
Da vidimo kako forum diše... Koga biste u Hall of Fame ove godine? Glasanje traje još tri nedelje.
Možete izabrati do 6 kandidata:
Alfredo Alcala
Kyle Baker
Bob Bolling
Eddie Campbell
Roz Chast
Dan Clowes
Mark Evanier
Mike Friedrich
Don Heck
Junji Ito
Ben Katchor
Todd Klein
Peter Kuper
Lee Marrs
John Romita, Jr.
Posy Simmonds
Leonard Starr
Rick Veitch |
| pcoro |
Posted - 03/10/2024 : 08:40:30
quote:
Originally posted by Vlaadisha
Pratt se uglavnom oslanjao na The Scarlet Letter i pozajmio ponešto iz biografije Anne Hutchinson. Somna je zasnovana na filmu The Entity. 
Lijepo si to napisao  , iako je moj doživljaj nešto dugačiji.
Ovog ljeta sam konačno pročitao Grimizno slovo i bilo mi je nekako kičasto, sladunjavo. S radnjom ko iz nekog najbanalnijeg ljubića. Možda mi čak Slovo bolje korespondira sa Somnom nego Ljeto, i u Slovu su ideje patrijarhalne, konzervativne zajednice, licemjerja i ženskih prava u prvom planu, a u Ljetu te teme pojedu Indijanci, golotinja i šuma.
Entity nisam gledao, dok sam čitao Somnu na pamet mi je padala Vještica (2015). Ali Vještica je bila originalna, strašna, nelagodna..
Mislim, sad na kraju smo svi iskritizirali Somnu, a zapravo je skroz OK strip koji jako lijepo izgleda. Nije na razini tih nekih najjačih djela ali kao jedno lijepo jesensko čitanje nije za odbaciti.
|
| Vlaadisha |
Posted - 02/10/2024 : 20:28:04
quote:
Originally posted by pcoro
Vidim da ste bacali usporedbe sa Indijanskim ljetom, ali.. indijasko ljeto je seksi i perverzno i zaigrano i poetično i blesavo, a Somna nije ništa od toga. Somna je lijepo nacrtana, pravocrtna priča kojoj kronično fali mašte, vještičarenja, perverzija.. safta!
Da, Leto je mnogo ambiciozniji strip. Pratt se uglavnom oslanjao na The Scarlet Letter i pozajmio ponešto iz biografije Anne Hutchinson. Somna je zasnovana na filmu The Entity.
(Istraživački rad koji Pratt navodi u epilogu mi zvuči kao baronisanje. Na primer, taj Parkman nije napisao delo o Granici u 21 tomu, to je zapravo tek 21 nastavak o Divljem zapadu u jednom časopisu; o Granici je pisao opširnije u 7 tomova France and England in North America. Pa onaj Corwood iz Fibrinog izdanja ili Kurwood iz NBM-ovog je zapravo Curwood... btw Ameri su to preveli kao Valleys of Abraham, a reč je o njihovom čoveku koji je napisao Plains of Abraham, but who cares)
Leto je seksi zato što je male gaze: kreirala su ga dva muškarca za tebe i mene, a i muški likovi su subjekti. Nije da se ja sad kao nešto žalim  , ali žene su objekti kako u tekstu (počev od prve scene) tako i u Manarinom crtežu, ali i na idejnom planu, što imamo u liku Phillis.
Zašto je ona stradala? Odnosno, šta je njena tragična greška? To nije njena bludna priroda, nego činjenica da je u odsudnom momentu istrčala iz zaklona da spasi brata. To je trenutak kad Phillis prvi put, za razliku od svoje majke, ima agency. Starom kapetanu i dečacima je ponestalo baruta i ona im, u najboljoj slici u stripu, hita u pomoć. Gle, ovi muški imaju kite (oružje) ali im ne rade (barut), a niko ne sme da istrči, bukvalno nemaju muda. I onda Phillis ispada više muško od njih. A zašto je istrčala? Zato što voli svog brata više od života, zato što ih sve voli. Za ljubav ne za mržnju, ja sam rođena. Ali to, po autorima, ženama nije dopušteno u muškom svetu. Phillis ih emaskulira i mora platiti. U Letu su žene sve kurve i sve su svetice, dok muškarci nisu ni za šta, znaju samo da mlataraju kitama i puškama.
Vidi, idealna prilika za crotch shot, ali čak i matori perverznjak kao što je Manara zna da nije momenat za to.
Kažem muški svet, a bolje je reći puritansko društvo, jer Leto nije kritika patrijarhata. Naprotiv, to je vrlo patrijarhalan strip, u kom autori hoće da pokažu šta se dešava kad pater ne ispunjava svoju ulogu: životi se raspadaju. U Letu su svi zakazali: sveštenik kao duhovni otac, kapetan kao vođa, potom odsutni biološki očevi...
Mislim, možda su Pratt i Manara zapravo hteli nešto potpuno drugo, ali nisu mogli protiv sebe. lol
E, tu smo povukli paralele sa Somna. Tematski su bliski, ali idejno se razilaze.
Somna ima female gaze, što ne znači da ćemo za promenu gledati muške aktove, nego da autorke rade strip iz ženskog ugla. Chick flick, je li. Kod njih žene nit su sve žrtve, niti su bezgrešne, a imaju i agency. I dalje je sve u privatnoj sferi, jer smo rekli da se radi o puritanskom društvu, gde je javna sfera rezervisana za muškarce. A oni ni ovde nisu puno bolji: muž ne ispunjava svoje bračne obaveze, sveštenik je glupan itd.
Konačno, da, Leto je razigrano, na momente i duhovito. Moj omiljeni detalj je kad onog mladog Indijanca, kakosezvao, kljucne gavran. Neko je na forumu napisao da je to štos. Nije to štos, to je ideja dela u malom. Gavrani su ovde, kao i obično, vesnici nesreće i simbol smrti. Ali još nije vreme za mladog ratnika, njega je smrt tek kljucnula, tek je osetio borbu, pre nego život ("i ja se želim igrati sa ženkama")... Gavran ga je, kao neki sveznajući kosac, spasao tragične greške: rana krene da mu krvari baš kad se sprema da ubije Elijahu, ali promaši jer ništa ne vidi od krvi. To bi bio greh za koji bi morao platiti, ali je ovako bezbedan, pa ga Elijah tek okrzne, doživi kraj i vidimo ga u epilogu.
Toga nema u Somna, ovo je, kao što podnaslov pošteno kaže, priča za laku noć. Mogao bih da je zamislim u nekom drugom formatu, prepričanu ukratko za neki stari broj EC comicsa, sve sa obrtom na kraju.
Taj obrt u poslednjem panelu je možda i najbolji deo stripa. Naker piše da je dvosmislen, meni je prilično jednoznačan, pomalo meta, i dobro zaokružuje inače predvidljivu priču.
|
| pcoro |
Posted - 30/09/2024 : 14:56:04
 [quote]Originally posted by izivko
Pročitao i ja Somnu
Becky Cloonan stvarno lijepo crta. Ova druga je malo dosadna. Priča nije nešto. Pravocrtna je i jednostavna. Vidim da ste bacali usporedbe sa Indijanskim ljetom, ali.. indijasko ljeto je seksi i perverzno i zaigrano i poetično i blesavo, a Somna nije ništa od toga. Somna je lijepo nacrtana, pravocrtna priča kojoj kronično fali mašte, vještičarenja, perverzija.. safta! |
| naker |
Posted - 27/09/2024 : 21:44:28
quote:
Originally posted by Vlaadisha
quote:
Originally posted by izivko
Pa krenimo:
Somna: A Bedtime Story, by Becky Cloonan and Tula Lotay (DSTLRY)
Amerikanci su još u srednjem vijeku i proganjaju vještice.
Evo šta kažu autorice:
Usamljeni um luta, izgubljen je i nenadahnut. On je u potrazi.
Sotona je uvijek na oprezu. On vidi naše grijehe, naše slabosti i koristi ih u svoju korist.
Strip je pokupio nagradu. Pitam se zbog čega.
Jesu li ostali nominirani toliko loši? Možda zbog toga što su autori hanume. Provjerio sam, bijele su, nisu obojene.
Ili je do mene?
Tipujem na ovo treće.
Mene je Somna sve vreme podsećao na Indijansko leto, odnosno na neku žensku verziju Leta. Što ne znači nužno nekakav odraz u ogledalu.
To je sad dosta zamršeno pitanje, jer nije tako lako odrediti se prema Pratu & Manari. Čitao sam nedavno onu forumsku raspravu o Letu, je li vestern ili nije (nije), da li valja ili ne valja (meni bi valjalo više da se odlučilo za žanr). Italijani nisu mogli bez male gaze, dok faluse imamo samo u vidu pušaka kojima mlataraju valjda svi muškarci u njihovom stripu. Somna je nešto suptilnija, ali da ne kačim sad slike ako čitate na poslu.  Pre nego što pitate, one dve matore drtine su žene više idealizovale nego Cloonan & Lotay ovde. Kod autorki isto imamo ženu kao žrtvu ali nisam siguran da je i jedna nedužna. Konačno, kao i Leto, i Somna je A4 hardcover, kao da hoće da vas ubedi da se ovo drži na polici a ne ispod kreveta. Nebitno, jer je klincima svakako nedostupno na odeljenju za odrasle ili za $30, ako se neko baš zaleti da kupi.
A razlog za kupovinu bi eventualno mogao biti crtež. O Cloonan smo već diskutovali, dok se Lotay igra fotkama. Što ne bi bilo toliko zanimljivo da nije neobične podele posla: stilizacija predstavlja stvarni svet, dok je fantazija realističnija. Kako radnja odmiče, stilovi počinju da se mešaju...
Detalj po kom ću verovatno zapamtiti naslov je ovaj ambiciozni pokušaj da se prikaže glava koja uranja u vodu. Uspešan ili ne, ali svakako hrabar.
To, i jedan smešan (duhovit?) FX. Ako još neko zna o čemu pričam, priti pliz ostavite odgovor zašto im je to trebalo.
Kao i sve ostalo na ovoj temi, ovo su samo lični utisci posle prvog čitanja i tek poziv na razgovor.
Potpisujem poređenje sa Indijanskim letom. Crtež bolja strana stripa što se mene tiče.
http://forum.stripovi.com/topic.asp?whichpage=-2&TOPIC_ID=34842&REPLY_ID=2676999 |
| naker |
Posted - 26/09/2024 : 22:08:14
Jbg, to mi je bio drugi pik. |
| Vlaadisha |
Posted - 26/09/2024 : 21:45:00
ne, "ba-bump" u drugom broju |
| naker |
Posted - 26/09/2024 : 21:01:08
quote:
Originally posted by Vlaadisha
To, i jedan smešan (duhovit?) FX. Ako još neko zna o čemu pričam, priti pliz ostavite odgovor zašto im je to trebalo.
Da nije u pitanju ova mukica?
 |
| Vlaadisha |
Posted - 25/09/2024 : 16:55:59
quote:
BEST LIMITED SERIES
The Cull, by Kelly Thompson and Mattia De Iulis (Image)
Godzilla: Here There Be Dragons, by Frank Tieri and Inaki Miranda (IDW)
Kill Your Darlings, by Ethan S. Parker, Griffin Sheridan, and Robert Quinn (Image)
PeePee PooPoo, by Caroline Cash (Silver Sprocket)
Superman: Lost, by Christopher Priest and Carlo Pagulayan (DC)
Iznenadilo me koliko je ovo mali strip. Format je A4, ali po svim drugim parametrima PPPP je srednjoškolski fanzin. Malo brojeva, malo strana, malo ambicija... Ali nije do autorke nego velikih očekivanja. Cash se zeza, istražuje, omažira... a za hajp su odgovorni oni koji su je proglasili za indie darling, slično kao što je Thorogood prošle godine bila "budućnost stripa". Ako negde i naletite na ova izdanja, predlažem da igrate bingo tražeći posvete: Clowes, Doucet, Brown, Crumb, O'Malley...
Toliko od mene, Transformere i Ukrajinu ću ostaviti nekom drugom.
 |
| Vlaadisha |
Posted - 17/09/2024 : 23:20:16
quote:
BEST HUMOR PUBLICATION
How to Love: A Guide to Feelings & Relationships for Everyone, by Alex Norris (Candlewick/Walker Books)
I Was a Teenage Michael Jackson Impersonator, and Other Musical Meanderings, by Keith Knight (Keith Knight Press)
It’s Jeff: The Jeff-Verse #1, by Kelly Thompson and Gurihiru (Marvel)
Macanudo: Optimism Is for the Brave, by Liniers (Fantagraphics)
The Yakuza’s Bias, by Teki Yatsuda. translation by Max Greenway (Kodansha)
Znate ko je Gwenpool? Nema veze. Jeff je njen ljubimac, kopnena ajkula. I onda pratimo njegove dogodovštine. Meh. Istina, humor je najsubjektivnija kategorija. Ovo je smešno ako imate sedam godina ili barem kućnog ljubimca. Na žalost, ja nemam ni jedno ni drugo. Osećam da je dobilo nagradu jer je kratko i slatko.
Čitao neko ostale nominovane naslove? Ili neki drugi strip koji je vama bio smešan, a da je američki i novijeg datuma? Hard mode: da je all ages. |
| Vlaadisha |
Posted - 16/09/2024 : 19:58:08
quote:
Originally posted by izivko
> Kod autorki isto imamo ženu kao žrtvu ali nisam siguran da je i jedna nedužna.
Koliko se sjećam, glavna junakinja je 99% nedužna.
Ona je kao žena u najboljim godinama potpuno zanemarena i seksualno neispunjena, neiskorištena. Što je neoprostiv grijeh. (ne njezin) 
I što je, jadnica, trebala činiti? Ona ne može biti kriva za svoje daljne postupke. Oslobođena je svake krivnje. (Lulu oslobođena)
Ali morao bih još jedanput čitati i provjeriti, a ne znam isplati li se zbog onog jednog preostalog procenta.
Jasno. Mislio sam na završnu scenu. U kontekstu stripa, ona je stvarna, ne? Spoiler: Podala se Đavolu. Pre toga je prikrivala ubistvo. Ali svakako nije zaslužila da umre na lomači. |
| izivko |
Posted - 16/09/2024 : 19:46:21
> Kod autorki isto imamo ženu kao žrtvu ali nisam siguran da je i jedna nedužna.
Koliko se sjećam, glavna junakinja je 99% nedužna.
Ona je kao žena u najboljim godinama potpuno zanemarena i seksualno neispunjena, neiskorištena. Što je neoprostiv grijeh. (ne njezin)
I što je, jadnica, trebala činiti? Ona ne može biti kriva za svoje daljne postupke. Oslobođena je svake krivnje. (Lulu oslobođena)
Ali morao bih još jedanput čitati i provjeriti, a ne znam isplati li se zbog onog jednog preostalog procenta. |
| Vlaadisha |
Posted - 16/09/2024 : 17:05:54
quote:
Originally posted by izivko
Pa krenimo:
Somna: A Bedtime Story, by Becky Cloonan and Tula Lotay (DSTLRY)
Amerikanci su još u srednjem vijeku i proganjaju vještice.
Evo šta kažu autorice:
Usamljeni um luta, izgubljen je i nenadahnut. On je u potrazi.
Sotona je uvijek na oprezu. On vidi naše grijehe, naše slabosti i koristi ih u svoju korist.
Strip je pokupio nagradu. Pitam se zbog čega.
Jesu li ostali nominirani toliko loši? Možda zbog toga što su autori hanume. Provjerio sam, bijele su, nisu obojene.
Ili je do mene?
Tipujem na ovo treće.
Mene je Somna sve vreme podsećao na Indijansko leto, odnosno na neku žensku verziju Leta. Što ne znači nužno nekakav odraz u ogledalu.
To je sad dosta zamršeno pitanje, jer nije tako lako odrediti se prema Pratu & Manari. Čitao sam nedavno onu forumsku raspravu o Letu, je li vestern ili nije (nije), da li valja ili ne valja (meni bi valjalo više da se odlučilo za žanr). Italijani nisu mogli bez male gaze, dok faluse imamo samo u vidu pušaka kojima mlataraju valjda svi muškarci u njihovom stripu. Somna je nešto suptilnija, ali da ne kačim sad slike ako čitate na poslu. Pre nego što pitate, one dve matore drtine su žene više idealizovale nego Cloonan & Lotay ovde. Kod autorki isto imamo ženu kao žrtvu ali nisam siguran da je i jedna nedužna. Konačno, kao i Leto, i Somna je A4 hardcover, kao da hoće da vas ubedi da se ovo drži na polici a ne ispod kreveta. Nebitno, jer je klincima svakako nedostupno na odeljenju za odrasle ili za $30, ako se neko baš zaleti da kupi.
A razlog za kupovinu bi eventualno mogao biti crtež. O Cloonan smo već diskutovali, dok se Lotay igra fotkama. Što ne bi bilo toliko zanimljivo da nije neobične podele posla: stilizacija predstavlja stvarni svet, dok je fantazija realističnija. Kako radnja odmiče, stilovi počinju da se mešaju...
Detalj po kom ću verovatno zapamtiti naslov je ovaj ambiciozni pokušaj da se prikaže glava koja uranja u vodu. Uspešan ili ne, ali svakako hrabar.
To, i jedan smešan (duhovit?) FX. Ako još neko zna o čemu pričam, priti pliz ostavite odgovor zašto im je to trebalo.
Kao i sve ostalo na ovoj temi, ovo su samo lični utisci posle prvog čitanja i tek poziv na razgovor. |
| Vlaadisha |
Posted - 12/09/2024 : 20:42:34
quote:
BEST PUBLICATION FOR TEENS
Blackward, by Lawrence Lindell (Drawn & Quarterly)
Danger and Other Unknown Risks, by Ryan North and Erica Henderson (Penguin Workshop/Penguin Random House)
Frontera, by Julio Anta and Jacoby Salcedo (HarperAlley)
Lights, by Brenna Thummler (Oni Press)
Monstrous: A Transracial Adoption Story, by Sarah Myer (First Second/Macmillan)
My Girlfriend’s Child, vol. 1, by Mamoru Aoi, translation by Hana Allen (Seven Seas)
Au. Drugari, tek ovo nije za nas.
Preleteo sam recenzije i svi su u fazonu postapokaliptični SF u kom devojčica & njen pas koji govori idu na quest da spasu svet od crne magije... bla bla. Samo je jedan, na Goodreads valjda, namirisao neku kritiku MAGA pokreta. Istina, naslov je YA, pa je nerealno očekivati neko kritičko čitanje od čitaoca kome je strip namenjen. Spojleri ispod slike.
Nakon generičkog zapleta čeka nas isto tako predvidljiv obrt: čika Bernard je zapravo negativac. Dane provodi u svojoj man cave, čezne za starim dobrim vremenima i kuje planove kako da vrati vreme unazad. Ovo poslednje treba shvatiti bukvalno, a spreman je da žrtvuje vrli novi svet da bi to ostvario. I ovo žrtvovanje treba shvatiti doslovno: svi će, uključujući i devojčicu & njenog psa koji govori, prestati da postoje. Nema crne magije, samo žal za mladost u kojoj je bilo struje i sličnih trica.
Na ovom forumu sam jednom branio tezu da u umetnosti nema loših ideja (iako, naravno, postoje crvene linije). Ideja koju su ovde autori poturili je legitimna. Objasniću zašto mislim da je slabo izvedena. Prvo, čika Bernard je fizički boomer a okružen je Gen X nostalgijom, poput video igara i VHS kaseta. OK, recimo da su to rastegljivi pojmovi ali smrdi na ono don't trust anyone over thirty. No, recimo i da se ja sad samo durim zbog udarca ispod pojasa.
Ali čika Bernardova motivacija ga čini neubedljivim likom. Nema ovde MAGA kritike, iako je mogla biti servirana na volej. Naime, ostatak stripa govori o nesavršenom svetu u kome ljudi svih rasa i polova dele cenu magije da bi ostvarili neverovatne stvari (get it?). Međutim, čika Bernardu prosto nedostaje bolja prošlost, na primer procesovana hrana.
A sad zamislite da su autori rekli da čika sve ovo radi... zbog svoje dece?
Bio bi pravi tragični lik.
Leglo bi mi ko budali šamar.
Ovako... više sreće sledeći put. |
| Shaner |
Posted - 07/09/2024 : 21:30:27
quote:
Originally posted by Vlaadisha
quote:
Originally posted by wintermute
quote:
Originally posted by Vlaadisha
quote:
BEST ADAPTATION FROM ANOTHER MEDIUM
Watership Down...
Pročitao sam ovo i sve pet, preporuka i za one koji vole knjigu i za one koji je nikad nisu čitali, za mlade i stare, dečake i devojčice...
E bas mi drago. Pisao sam o tom stripu ovde: http://forum.stripovi.com/topic.asp?whichpage=190&TOPIC_ID=34842
Cak sam i decu uspeo da nagovorim da procitaju i svidelo im se ali nista epohalno. Nazalost nove generacije ne cene toliko strip...
Najs. Meni je kultna bila The Book of the Dun Cow, kod nas prevedena kao U davno doba. Ne mogu ni da zamislim da bi se mom klincu to svidelo. Svako vreme ima svoje heroje. U prvom razredu mi je rekao da im učiteljica dosađuje sa Harijem Poterom jer je to čitala kao dete... 
Ne znam je li mi nevjerojatnije što je današnjim prvašima Harry Potter dosadan ili što netko tko ga je čitao kao dijete sad predaje u školi...
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| Vlaadisha |
Posted - 07/09/2024 : 18:21:58
quote:
BEST SINGLE ISSUE/ONE-SHOT
Horologist, by Jared Lee and Cross (Grim Film)
Nightwing #105, by Tom Taylor and Bruno Redondo (DC)
Star Trek: Day of Blood—Shax’s Best Day, by Ryan North and Derek Charm (IDW)
Superman 2023 Annual, by Joshua Williamson and others (DC)
Sweet Paprika: Black, White, & Pink, by Mirka Andolfo and others (Image)
Na žalost, tokom karantina sam izgubio naviku da idem u LCBS, tako da mesečnu produkciju pratim površno i sa kašnjenjem. A Nightwing nije čak ni među naslovima koje čitam iz morbidne radoznalosti, poput ASM ongoinga. Tako da nemam pojma koliko je ovo zasluženo, a koliko rezultat drugih faktora. Pominjali smo broj 87, koji je isto kao 105 bio eksperiment. Nevolja sa ovogodišnjim dobitnikom je što su stripovi u prvom licu 1) već viđeni i 2) nešto što drugi mediji, recimo video igre, odavno rade mnogo bolje. Ili ako ste mlađahni, možete probati i lično...
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| Vlaadisha |
Posted - 07/09/2024 : 18:09:51
quote:
Originally posted by culture vulture
U oba slučaja, dobivamo nešto što samo od jednog autora ne bismo dobili - stripove koji su i majstorski kadrirani i majstorski dovršeni. Win-win!
Lepi primeri. Da, verovatno zavisi kakvi su lejauti. U Plaštu postavka ima mnoge elemente konačnog crteža. Kod Amera je to česta praksa, pa tamo ima svačega, od Moorea preko Morrisona do Millera i Busceme, svako je manje ili više postavljao crtež, s tim što je velika razlika između prvog i poslednjeg. |
| Vlaadisha |
Posted - 07/09/2024 : 17:53:37
quote:
Originally posted by wintermute
quote:
Originally posted by Vlaadisha
quote:
BEST ADAPTATION FROM ANOTHER MEDIUM
Watership Down...
Pročitao sam ovo i sve pet, preporuka i za one koji vole knjigu i za one koji je nikad nisu čitali, za mlade i stare, dečake i devojčice...
E bas mi drago. Pisao sam o tom stripu ovde: http://forum.stripovi.com/topic.asp?whichpage=190&TOPIC_ID=34842
Cak sam i decu uspeo da nagovorim da procitaju i svidelo im se ali nista epohalno. Nazalost nove generacije ne cene toliko strip...
Najs. Meni je kultna bila The Book of the Dun Cow, kod nas prevedena kao U davno doba. Ne mogu ni da zamislim da bi se mom klincu to svidelo. Svako vreme ima svoje heroje. U prvom razredu mi je rekao da im učiteljica dosađuje sa Harijem Poterom jer je to čitala kao dete... |
| culture vulture |
Posted - 07/09/2024 : 10:57:08
quote:
Originally posted by Vlaadisha
Nego, na naslovnoj stoji adapted and illustrated by James Sturm and Joe Sutphin. Izgleda da je ovaj prvi radio postavku, a ovaj drugi zapravo crtao. Zanimljivo je da dele kredit. Pitanje za ove s viškom vremena: kako vi gledate na lejaute?
Ja mislim da iz takvih suradnji dolaze neka od najboljih ostvarenja.
Evo nekoliko random primjera:
https://www.bedetheque.com/serie-13259-BD-Magasin-general.html
Majstor vizualne naracije, Loisel, radi kadriranje kako samo on to zna; Tripp izvodi detaljan crtež kakav se Loiselu ne bi dalo raditi.
---
https://www.bedetheque.com/serie-3-BD-De-Cape-et-de-Crocs.html br /
Majstor scenarija, Ayroles, postavlja tablu, i po meni često ima bolje, dinamičnije rješenje; Masbou je izvodi u akrilnim bojama i tušu:
U oba slučaja, dobivamo nešto što samo od jednog autora ne bismo dobili - stripove koji su i majstorski kadrirani i majstorski dovršeni. Win-win!
---
Iako nije stvar lejauta, nego čisto suradnje dvaju autora u kojoj se svaki usredotočuje na svoj "forte" i iako nisam zapravo nigdje vidio kako braća Brizzi dijele posao, na osnovi njihovih "fine art" radova
https://www.brizzibrothers.com/fine-art/gaetan
pretpostavljam da Paul radi figure, a Gaetan pozadine. Ili da barem Paul izvodi kadrove u kojima dominiraju figure, a Gaetan one u kojima dominiraju krajolici/lokaliteti.
U svakom slučaju, suradnja i opet daje super rezultat:
https://www.bedetheque.com/serie-82436-BD-Enfer-de-Dante.html
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| wintermute |
Posted - 07/09/2024 : 06:32:16
quote:
Originally posted by Vlaadisha
quote:
BEST ADAPTATION FROM ANOTHER MEDIUM
Watership Down...
Pročitao sam ovo i sve pet, preporuka i za one koji vole knjigu i za one koji je nikad nisu čitali, za mlade i stare, dečake i devojčice...
E bas mi drago. Pisao sam o tom stripu ovde: http://forum.stripovi.com/topic.asp?whichpage=190&TOPIC_ID=34842
Cak sam i decu uspeo da nagovorim da procitaju i svidelo im se ali nista epohalno. Nazalost nove generacije ne cene toliko strip... |
| Vlaadisha |
Posted - 07/09/2024 : 03:31:11
quote:
BEST ADAPTATION FROM ANOTHER MEDIUM
Bea Wolf, adapted by Zach Weinersmith and Boulet (First Second/Macmillan)
#DRCL midnight children, vol. 1, based on Bram Stoker’s Dracula, by Shin’ichi Sakamoto, translation by Caleb Cook (VIZ Media)
H.P. Lovecraft’s The Shadow over Innsmouth, adapted by Gou Tanabe, translation by Zack Davisson (Dark Horse Manga)
The Monkey King: The Complete Odyssey, adapted by Chaiko, translation by Dan Christensen (Magnetic)
Watership Down, by Richard Adams, adapted by James Sturm and Joe Sutphin (Ten Speed Graphic)
Pročitao sam ovo i sve pet, preporuka i za one koji vole knjigu i za one koji je nikad nisu čitali, za mlade i stare, dečake i devojčice...
Nego, na naslovnoj stoji adapted and illustrated by James Sturm and Joe Sutphin. Izgleda da je ovaj prvi radio postavku, a ovaj drugi zapravo crtao. Zanimljivo je da dele kredit. Pitanje za ove s viškom vremena: kako vi gledate na lejaute?
Potpitanje: da li je ovo rešenje maznuto iz crtanog filma?
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| Vlaadisha |
Posted - 18/08/2024 : 01:45:11
quote:
BEST REALITY-BASED WORK
Are You Willing to Die for the Cause? by Chris Oliveros (Drawn & Quarterly)
Last on His Feet: Jack Johnson and the Battle of the Century, by Adrian Matejka and Youssef Daoudi (Liveright)
Messenger: The Legend of Muhammad Ali, by Marc Bernardin and Ron Salas (First Second/Macmillan)
Thing: Inside the Struggle for Animal Personhood, by Samuel Machado and Cynthia Sousa Machado with Steven M. Wise (Island Press)
Three Rocks: The Story of Ernie Bushmiller: The Man Who Created Nancy, by Bill Griffith (Abrams ComicArts)
Stalno mešam Kima Deitcha i Griffitha pa se obradujem kako će biti zabavan strip, kad ono... Čitao neko njegov Invisible Ink? Možda ga se sećate kao My Mother's Love Affair With A Famous Cartoonist. Kakav uzbudljiv podnaslov! A jedino što pamtim je kad na nekoj sahrani pričaju samo o hrani, to mi je bilo baš onako, autentično. No, ovog puta je podnaslov pošten.
Pa kakav je bio čovek koji je kreirao Nancy? Eh. I never did anything interesting. I don't know what you can write about me. Griffith ga crta uglavnom pogrbljenog nad crtaćim stolom, i tako decenijama. Srećom, kao i svaka dobra biografija, i ova je life and times, pa ćemo u prolazu sresti Reginalda Marsha, Harolda Lloyda, Groucha Marxa, Georga Herrimana, Eleanoru Roosevelt, Ala Plastina i mnoge druge. The Story of Ernie Bushmiller je tako istorija - ako ne baš Amerike u dvadesetom veku - onda barem istorija novinskog stripa.
A Nancy? Ako ste je videli, možda se setite da autor u pozadini često crta ova tri kamena iz naslova. Zašto baš tri? quote:
Because two rocks wouldn't be "some rocks." Two rocks would be a pair of rocks. And four rocks was unacceptable because four rocks would indicate "some rocks" but it would be one rock more than was necessary to convey the idea of "some rocks." A Nancy panel is an irreduceable concept, an atom, and the comic strip is a molecule.
To McCloud citira Spiegelmana. Sumnjivo je što se ni jedan ni drugi ne pominju u knjizi. Još sumnjivije je izostavljanje autorke pod pseudonimom Olivia Jaimes, koja je 2018. sa uspehom nastavila strip. Sluggo is lit nije "lit" za Griffitha?
Istina, ima i ovako u knjizi dovoljno razmišljanja o stripu kao mediju da bismo mogli otvoriti gomilu tema samo o tome. Bushmiller jeste zabavljao raju ali je istovremeno bio formalista u večitoj potrazi za "savršenim gegom".
Čak i ako niste čitali Nancy, bez brige, unutar korica je reprodukovano na desetine odabranih kaiševa. A Wally Wood je objasnio da By the time you decided not to read Nancy, you already had.
Da ne preporučujem sad, već ste odlučili da li je ovaj strip za vas ili ne. Ja ću mu se vraćati, možda ne od početka i redom, i uprkos užasnom letteringu.
kako nastaje geg
život i priključenija
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