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pcoro
Senior Member
Croatia
2380 Posts
Member since 17/01/2006 |
 Posted - 30/09/2024 : 14:56:04
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 [quote]Originally posted by izivko
Pročitao i ja Somnu 
Becky Cloonan stvarno lijepo crta. Ova druga je malo dosadna. Priča nije nešto. Pravocrtna je i jednostavna. Vidim da ste bacali usporedbe sa Indijanskim ljetom, ali.. indijasko ljeto je seksi i perverzno i zaigrano i poetično i blesavo, a Somna nije ništa od toga. Somna je lijepo nacrtana, pravocrtna priča kojoj kronično fali mašte, vještičarenja, perverzija.. safta! |
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Vlaadisha
Advanced Member
USA
3515 Posts
Member since 21/07/2004 |
Posted - 02/10/2024 : 20:28:04
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quote:
Originally posted by pcoro
Vidim da ste bacali usporedbe sa Indijanskim ljetom, ali.. indijasko ljeto je seksi i perverzno i zaigrano i poetično i blesavo, a Somna nije ništa od toga. Somna je lijepo nacrtana, pravocrtna priča kojoj kronično fali mašte, vještičarenja, perverzija.. safta!
Da, Leto je mnogo ambiciozniji strip. Pratt se uglavnom oslanjao na The Scarlet Letter i pozajmio ponešto iz biografije Anne Hutchinson. Somna je zasnovana na filmu The Entity. 
(Istraživački rad koji Pratt navodi u epilogu mi zvuči kao baronisanje. Na primer, taj Parkman nije napisao delo o Granici u 21 tomu, to je zapravo tek 21 nastavak o Divljem zapadu u jednom časopisu; o Granici je pisao opširnije u 7 tomova France and England in North America. Pa onaj Corwood iz Fibrinog izdanja ili Kurwood iz NBM-ovog je zapravo Curwood... btw Ameri su to preveli kao Valleys of Abraham, a reč je o njihovom čoveku koji je napisao Plains of Abraham, but who cares)
Leto je seksi zato što je male gaze: kreirala su ga dva muškarca za tebe i mene, a i muški likovi su subjekti. Nije da se ja sad kao nešto žalim  , ali žene su objekti kako u tekstu (počev od prve scene) tako i u Manarinom crtežu, ali i na idejnom planu, što imamo u liku Phillis.
Zašto je ona stradala? Odnosno, šta je njena tragična greška? To nije njena bludna priroda, nego činjenica da je u odsudnom momentu istrčala iz zaklona da spasi brata. To je trenutak kad Phillis prvi put, za razliku od svoje majke, ima agency. Starom kapetanu i dečacima je ponestalo baruta i ona im, u najboljoj slici u stripu, hita u pomoć. Gle, ovi muški imaju kite (oružje) ali im ne rade (barut), a niko ne sme da istrči, bukvalno nemaju muda. I onda Phillis ispada više muško od njih. A zašto je istrčala? Zato što voli svog brata više od života, zato što ih sve voli. Za ljubav ne za mržnju, ja sam rođena. Ali to, po autorima, ženama nije dopušteno u muškom svetu. Phillis ih emaskulira i mora platiti. U Letu su žene sve kurve i sve su svetice, dok muškarci nisu ni za šta, znaju samo da mlataraju kitama i puškama.
Vidi, idealna prilika za crotch shot, ali čak i matori perverznjak kao što je Manara zna da nije momenat za to.
Kažem muški svet, a bolje je reći puritansko društvo, jer Leto nije kritika patrijarhata. Naprotiv, to je vrlo patrijarhalan strip, u kom autori hoće da pokažu šta se dešava kad pater ne ispunjava svoju ulogu: životi se raspadaju. U Letu su svi zakazali: sveštenik kao duhovni otac, kapetan kao vođa, potom odsutni biološki očevi...
Mislim, možda su Pratt i Manara zapravo hteli nešto potpuno drugo, ali nisu mogli protiv sebe. lol
E, tu smo povukli paralele sa Somna. Tematski su bliski, ali idejno se razilaze.
Somna ima female gaze, što ne znači da ćemo za promenu gledati muške aktove, nego da autorke rade strip iz ženskog ugla. Chick flick, je li. Kod njih žene nit su sve žrtve, niti su bezgrešne, a imaju i agency. I dalje je sve u privatnoj sferi, jer smo rekli da se radi o puritanskom društvu, gde je javna sfera rezervisana za muškarce. A oni ni ovde nisu puno bolji: muž ne ispunjava svoje bračne obaveze, sveštenik je glupan itd.
Konačno, da, Leto je razigrano, na momente i duhovito. Moj omiljeni detalj je kad onog mladog Indijanca, kakosezvao, kljucne gavran. Neko je na forumu napisao da je to štos. Nije to štos, to je ideja dela u malom. Gavrani su ovde, kao i obično, vesnici nesreće i simbol smrti. Ali još nije vreme za mladog ratnika, njega je smrt tek kljucnula, tek je osetio borbu, pre nego život ("i ja se želim igrati sa ženkama")... Gavran ga je, kao neki sveznajući kosac, spasao tragične greške: rana krene da mu krvari baš kad se sprema da ubije Elijahu, ali promaši jer ništa ne vidi od krvi. To bi bio greh za koji bi morao platiti, ali je ovako bezbedan, pa ga Elijah tek okrzne, doživi kraj i vidimo ga u epilogu.
Toga nema u Somna, ovo je, kao što podnaslov pošteno kaže, priča za laku noć. Mogao bih da je zamislim u nekom drugom formatu, prepričanu ukratko za neki stari broj EC comicsa, sve sa obrtom na kraju.
Taj obrt u poslednjem panelu je možda i najbolji deo stripa. Naker piše da je dvosmislen, meni je prilično jednoznačan, pomalo meta, i dobro zaokružuje inače predvidljivu priču.
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pcoro
Senior Member
Croatia
2380 Posts
Member since 17/01/2006 |
Posted - 03/10/2024 : 08:40:30
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quote:
Originally posted by Vlaadisha
Pratt se uglavnom oslanjao na The Scarlet Letter i pozajmio ponešto iz biografije Anne Hutchinson. Somna je zasnovana na filmu The Entity.
Lijepo si to napisao , iako je moj doživljaj nešto dugačiji.
Ovog ljeta sam konačno pročitao Grimizno slovo i bilo mi je nekako kičasto, sladunjavo. S radnjom ko iz nekog najbanalnijeg ljubića. Možda mi čak Slovo bolje korespondira sa Somnom nego Ljeto, i u Slovu su ideje patrijarhalne, konzervativne zajednice, licemjerja i ženskih prava u prvom planu, a u Ljetu te teme pojedu Indijanci, golotinja i šuma.
Entity nisam gledao, dok sam čitao Somnu na pamet mi je padala Vještica (2015). Ali Vještica je bila originalna, strašna, nelagodna..
Mislim, sad na kraju smo svi iskritizirali Somnu, a zapravo je skroz OK strip koji jako lijepo izgleda. Nije na razini tih nekih najjačih djela ali kao jedno lijepo jesensko čitanje nije za odbaciti.
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Vlaadisha
Advanced Member
USA
3515 Posts
Member since 21/07/2004 |
Posted - 01/03/2025 : 19:57:19
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Da vidimo kako forum diše... Koga biste u Hall of Fame ove godine? Glasanje traje još tri nedelje.
Možete izabrati do 6 kandidata:
Alfredo Alcala
Kyle Baker
Bob Bolling
Eddie Campbell
Roz Chast
Dan Clowes
Mark Evanier
Mike Friedrich
Don Heck
Junji Ito
Ben Katchor
Todd Klein
Peter Kuper
Lee Marrs
John Romita, Jr.
Posy Simmonds
Leonard Starr
Rick Veitch |
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fler
Senior Member
Croatia
2067 Posts
Member since 21/10/2003 |
Posted - 01/03/2025 : 20:06:36
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Alcala i Ito, bez dileme.
Onda, Romita Jr. i Veitch. |
Split your lungs with Blood and Thunder
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Edited by - fler on 01/03/2025 20:10:53 |
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naker
Advanced Member
5284 Posts
Member since 05/06/2020 |
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verab
Advanced Member
Croatia
3117 Posts
Member since 22/01/2015 |
Posted - 15/05/2025 : 21:08:00
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2025 Eisner Nominees
Best Short Story
“Anything Sinister,” by Ross Murray, in NOW #13 (Fantagraphics)
“Day 1703,” by Chris Ware, in Smoke Signal #43 (Desert Island)
“Pig” by Stacy Gougoulis, in NOW #13 (Fantagraphics)
“Spaces,” by Phil Jimenez, in DC Pride 2024 #1 (DC)
“Water I’ve Loved: Moving Day” by Pam Wye, in MUTHA magazine, https://www.muthamagazine.com/2024/05/water-ive-loved-moving-day/
“You Cannot Live on Bread Alone” by Kayla E., in NOW #13 (Fantagraphics)
Best Single Issue/One-Shot
Abortion Pill Zine: A Community Guide to Misoprostol and Mifepristone by Isabella Rotman, Marnie Galloway, and Sage Coffey (Silver Sprocket)
Ice Cream Man #39: “”Decompression in a Wreck, Part One,” by W. Maxwell Prince and Martin Morazzo (Image Comics)
PeePee PooPoo #1, by Caroline Cash (Silver Sprocket)
Sunflowers, by Keezy Young (Silver Sprocket)
Unwholesome Love, by Charles Burns (co-published with Partners and Son)
The War on Gaza, by Joe Sacco (Fantagraphics)
Best Continuing Series
The Department of Truth, by James Tynion IV and Martin Simmonds (Image)
Detective Comics: Detective Comics, by Ram V, Tom Taylor, Riccardo Federici, Stefano Raffaele, Javier Fernandez, Christian Duce, March, and Mikel Janín (DC)
Fantastic Four, by Ryan North, Carlos Gomez, Ivan Fiorelli, and others (Marvel)
Santos Sisters, by Greg & Fake, Graham Smith, Dave Landsberger, and Marc Koprinarov (Floating World)
Ultimate Spider-Man, by Jonathan Hickman and Marco Checchetto (Marvel)
Wonder Woman, by Tom King and Daniel Sampere (DC)
Best Limited Series
Alan Scott: The Green Lantern, by Tim Sheridan and Cian Tormey (DC)
Animal Pound, by Tom King and Peter Gross (BOOM! Studios)
The Deviant, by James Tynion IV and Joshua Hixson (Image)
Helen of Wyndhorn. by Tom King and Bilquis Evely (Dark Horse)
Rare Flavours, by Ram V and Filipe Andrade (BOOM! Studios)
Zatanna: Bring Down the House, by Mariko Tamaki and Javier Rodriguez (DC)
Best New Series
Absolute Batman, by Scott Snyder and Nick Dragotta (DC)
Absolute Wonder Woman, by Kelly Thompson and Hayden Sherman (DC)
Minor Arcana, by Jeff Lemire (BOOM! Studios)
The Pedestrian, by Joey Esposito and Sean Von Gorman (Magma Comix)
The Power Fantasy, by Kieron Gillen and Caspar Wijngaard (Image)
Uncanny Valley, by Tony Fleecs and Dave Wachter (BOOM! Studios)
Best Publication for Early Readers
Bog Myrtle, by Sid Sharp (Annick Press)
Club Microbe, by Elise Gravel, translated by Montana Kane (Drawn & Quarterly)
Hilda and Twig Hide from the Rain, by Luke Pearson (Flying Eye)
Night Stories, by Liniers (Astra Books)
Poetry Comics, by Grant Snider (Chronicle Books)
Best Publication for Kids
How It All Ends, by Emma Hunsinger (Greenwillow/HarperCollins Early Readers)
Next Stop, by Debbie Fong (Random House Graphic/Random House Children’s Books)
Plain Jane and the Mermaid, by Vera Brosgol (First Second/Macmillan)
Weirdo, by Tony Weaver Jr. and Jes & Cin Wibowo (First Second/Macmillan)
Young Hag and the Witches’ Quest, by Isabel Greenberg (Abrams Fanfare)
Best Publication for Teens
Ash’s Cabin, by Jen Wang (First Second/Macmillan)
Big Jim and the White Boy, by David F. Walker and Marcus Kwame Anderson (Ten Speed Graphic)
The Deep Dark by Molly Knox Ostertag (Scholastic)
The Gulf, by Adam de Souza (Tundra)
Lunar New Year Love Story, by Gene Luen Yang and LeUyen Pham (First Second/Macmillan)
Out of Left Field, by Jonah Newman (Andrews McMeel)
Best Humor Publication
Adulthood is a Gift! by Sarah Andersen (Andrews McMeel)
Forces of Nature, by Edward Steed (Drawn & Quarterly)
Kids Are Still Weird: And More Observations from Parenthood, by Jeffrey Brown (NBM)
A Pillbug Story, by Allison Conway (Black Panel Press)
Processing: 100 Comics That Got Me Through It, by Tara Booth (Drawn & Quarterly)
Best Anthology
EC Cruel Universe, edited by Sierra Hahn and Matt Dryer (Oni Press)
Godzilla’s 70th Anniversary, edited by Jake Williams and others (IDW)
Now: The New Comics Anthology #13, edited by Eric Reynolds (Fantagraphics)
Peep #1, edited by Sammy Harkham and Steve Weissman (Brain Dead/Kyle Ng)
So Buttons #14: “Life and Death,” by Jonathan Baylis and various artists (So Buttons Comix)
Best Reality-Based Work
Djuna, by Jon Macy (Street Noise Books)
The Heart That Fed: A Father, a Son, and the Long Shadow of War, by Carl Sciacchitano (Gallery 13/S&S)
The Mythmakers: The Remarkable Fellowship of C. S. Lewis & J. R. R. Tolkien, by John Hendrix (Abrams Fanfare)
The Puerto Rican War: A Graphic History, by John Vasquez Mejias (Union Square)
Suffrage Song: The Haunted History of Gender, Race, and Voting Rights in the U.S., by Caitlin Cass (Fantagraphics)
Best Graphic Memoir
Degrees of Separation: A Decade North of 60, by Alison McCreesh (Conundrum)
Feeding Ghosts: A Graphic Memoir, by Tessa Hulls (MCD/Farrar, Straus & Giroux)
The Field, by David Lapp (Conundrum)
I’m So Glad We Had This Time Together: A Memoir, by Maurice Vellekoop (Pantheon)
Something, Not Nothing: A Story of Grief and Love, by Sarah Leavitt (Arsenal Pulp Press)
Best Graphic Album—New
Final Cut, by Charles Burns (Pantheon)
Lunar New Year Love Story, by Gene Luen Yang and LeUyen Pham (First Second/Macmillan)
My Favorite Thing Is Monsters Book Two, by Emil Ferris (Fantagraphics)
Sunday, by Olivier Schrauwen (Fantagraphics)
Victory Parade, by Leela Corman (Pantheon)
Best Graphic Album—Reprint
Breaking the Chain: The Guard Dog Story, by Patrick McDonnell (Abrams ComicArts)
Lackadaisy, vols. 1–2, by Tracy J. Butler (Iron Circus)
The One Hand and The Six Fingers, by Ram V, Dan Watters, Laurence Campbell, and Sumit Kumar (Image)
Rescue Party: A Graphic Anthology of COVID Lockdown, edited by Gabe Fowler (Pantheon)
Seattle Samurai: A Cartoonist’s Perspective of the Japanese American Experience, by Kelly Goto and Sam Goto (Chin Music Press)
UM Volume One, by buttercup (Radiator Comics)
Best Adaptation from Another Medium
Thomas Piketty’s Capital & Ideology: A Graphic Novel Adaptation, by Clare Alot and Benjamin Adam (Abrams ComicArts)
The Hidden Life of Trees, by Peter Wohlleben, adapted by Benjamin Flao and Fred Bernard (Greystone)
The Road, by Cormac McCarthy, adapted by Manu Larcenet (Abrams)
Winnie-the-Pooh, by A. A. Milne, adapted by Travis Dandro (Drawn & Quarterly)
The Worst Journey in the World, Volume 1: Making Our Easting Down, by Apsley Cherry-Garrard, adapted by Sarah Airriess (Iron Circus)
Best U.S. Edition of International Material
All Princesses Die Before Dawn, by Quentin Zuttion (Abrams ComicArts)
The Jellyfish, by Boum, translated by Robin Lang and Helge Dascher (Pow Pow Press)
Mothballs, by Sole Otero; translated by Andrea Rosenberg (Fantagraphics)
Return to Eden, by Paco Roca; translated by Andrea Rosenberg (Fantagraphics)
Sunday, by Olivier Schrauwen (Fantagraphics)
Best U.S. Edition of International Material—Asia
Ashita no Joe: Fighting for Tomorrow, by Asao Takamori and Tetsuya Chiba, translated by Asa Yonola (Kodansha)
Hereditary Triangle, by Fumiya Hayashi, translated by Alethea and Athena Nibley (Yen Press)
Kagurabachi, vol. 1, by Takeru Hokazono, translated by Camellia Nieh (VIZ Media)
Last Quarter, vol. 1, by Ai Yazawa, translated by Max Greenway (VIZ Media)
Search and Destroy vol. 1, by Atsushi Kaneko, based on the work of Osamu Tezuka; translated by Ben Applegate (Fantagraphics)
Tokyo These Days, vols. 1–3, by Taiyo Matsumoto, translated by Michael Arias (VIZ Media)
Best Archival Collection/Project—Strips
All In Line, by Saul Steinberg (New York Review Books)
Frank Johnson, Secret Pioneer of American Comics, vol. 1, edited by Chris Byrne and Keith Mayerson (Fantagraphics)
Stan Mack’s Real-Life Funnies: The Collected Conceits, Delusions, and Hijinks of New Yorkers from 1974 to 1995, by Stan Mack, edited by Gary Groth (Fantagraphics)
Thorn: The Complete Proto-BONE Strips 1982–1986, and Other Early Drawings, by Jeff Smith (Cartoon Books)
Best Archival Collection/Project—Comic Books
The Complete Web of Horror, edited by Dana Marie Andra (Fantagraphics)
David Mazzucchelli’s Batman Year One Artist’s Edition, by Frank Miller and David Mazzucchelli, edited by Scott Dunbier (IDW)
DC Comics Style Guide (Standards Manual)
The Farewell Song of Marcel LaBrume, by Attilio Micheluzzi, edited by Gary Groth and Conrad Groth (Fantagraphics)
Wally Wood from Witzend: Complete Collection, commentary by J. David Spurlock (Vanguard)
X-Men: The Manga Remastered, vol. 1, edited by Glenn Greenberg and others (VIZ Media)
Best Comics-Related Periodical/Journalism
The Beat, edited by Heidi MacDonald and others,, https://www.comicsbeat.com
ICv2: The Business of Pop Culture, edited by Milton Griepp, icv2.com
INKS, The Journal of the Comics Studies Society, edited by Susan Kirtley (Ohio State University Press)
SOLRAD: The Online Literary Magazine for Comics, edited by Daniel Elkin, www.solrad.co (Fieldmouse Press)
Zdarsky Comics News, edited by Allison O’Toole (Chip Zdarsky)
Best Comics-Related Book
American Comic Book Chronicles: 1945-49, by Keith Dallas, John Wells, Richard Arndt, and Kurt Mitchell (TwoMorrows)
Kate Carew: America’s First Great Woman Cartoonist, by Eddie Campbell with Christine Chambers (Fantagraphics)
Q&A, by Adrian Tomine (Drawn & Quarterly)
Reading Love and Rockets, by Marc Sobel (Fantagraphics)
Tell Me a Story Where the Bad Girl Wins: The Life and Art of Barbara Shermund, by Caitlin McGurk (Fantagraphics)
Walt Disney’s Donald Duck: The Ultimate History, edited by Daniel Kothen Schulte with text by David Gerstein and J. B. Kaufman (TASCHEN)
Best Academic/Scholarly Work
Comics and Modernism: History, Form, and Culture, edited by Jonathan Najarian (University Press of Mississippi)
Drawing (in) the Feminine: Bande Dessinée and Women, edited by Margaret C. Flinn (Ohio State University Press)
From Gum Wrappers to Richie Rich: The Materiality of Cheap Comics, by Neale Barnholden (University Press of Mississippi)
Petrochemical Fantasies: The Art and Energy of American Comics, by Daniel Worden (Ohio State University Press)
Singular Sensations: A Cultural History of One-Panel Comics in the United States, by Michelle Ann Abate (Rutgers University Press)
Best Publication Design
Bill Ward: The Fantagraphics Studio Edition, designed by Kayla E. (Fantagraphics)
Brian Bolland: Batman The Killing Joke and Other Stories & Art, Gallery Edition, designed by Josh Beatman (Graphitti Designs)
David Mazzucchelli’s Batman Year One Artist’s Edition, designed by Chip Kidd (IDW)
One Bite at a Time, designed by Ryan Claytor (Elephant Eater Comics)
Scott Pilgrim 20th Anniversary Color Hardcover Box Set, designed by Patrick Crotty (Oni Press)
Walt Disney’s Donald Duck: The Ultimate History, designed by Anna-Tina Kessler (TASCHEN)
Best Digital Comic
The Beauty Salon, based on the novella by Mario Bellatin, adapted by Quentin Zuttion; translated by M. B. Valente (Europe Comics)
Beyond the Sea, by Anaïs Flogny; translated by Dan Christensen (Europe Comics)
Gonzo: Fear and Loathing in America, by Morgan Navarro; translated by Tom Imber (Europe Comics)
My Journey to Her, by Yuna Hirasawa (Kodansha)
The Spider and the Ivy, by Grégoire Carle; translated by M. B. Valente (Europe Comics)
Best Webcomic
The Accidental Undergrad, by Christian Giroux, https://solrad.co/tag/the-accidental-undergrad (Fieldmouse Press)
Life After Life, by Joshua Barkman, https://falseknees.com/comics/24ink1.html (False Knees)
Motherlover, by Lindsay Ishihiro, https://motherlovercomic.com (Iron Circus) Practical Defence Against Piracy, by Tony Cliff, https://www.delilahdirk.com/dd4/dd4-p188.html
Rigsby WI, by S. E. Case, https://rigsbywi.com (Iron Circus)
Best Writer
Tom King, Archie: The Decision (Archie); Animal Pound (BOOM! Studios); Helen of Wyndhorn (Dark Horse); Jenny Sparks, The Penguin, Wonder Woman (DC)
Ram V, Rare Flavours (BOOM! Studios); Dawnrunner (Dark Horse); The One Hand (Image); Universal Monsters: Creature from the Black Lagoon Lives! (Image Skybound)
Kelly Thompson, Absolute Wonder Woman, Birds of Prey (DC); Scarlett (Image Skybound); Venom War: It’s Jeff #1 (Marvel)
Best Writer: James Tynion IV, Something Is Killing the Children, Wynd (BOOM! Studios); Blue Book, The Oddly Pedestrian Life of Christopher Chaos (Dark Horse); Spectregraph (DSTLRY); The Department of Truth, The Deviant, WORLDTR33 (Image)
Gene Luen Yang, Lunar New Year Love Story (First Second/Macmillan)
Best Writer/Artist
Charles Burns, Kommix (Fantagraphics); Final Cut (Pantheon); Unwholesome Love (co-published with Partners & Son)
Emil Ferris, My Favorite Thing Is Monsters Book Two (Fantagraphics)
Jon Macy, Djuna (Street Noise Books)
Paco Roca, Return to Eden (Fantagraphics)
Olivier Schrauwen, Sunday (Fantagraphics)
Maria Sweeney, Brittle Joints (Street Noise Books)
Best Penciller/Inker or Penciller/Inker Team
Filipe Andrade, Rare Flavours (BOOM! Studios)
Nick Dragotta, Absolute Batman (DC)
Bilquis Evely, Helen of Wyndhorn (Dark Horse)
Manu Larcenet, The Road (Abrams ComicArts)
Javier Rodriguez, Zatanna: Bring Down the House (DC)
LeUyen Pham, Lunar New Year Love Story (First Second/Macmillan)
Best Painter/Multimedia Artist
Frederic Bremaud and Federico Bertolucci, Donald Duck: Vacation Parade (Fantagraphics)
Leela Corman, Victory Parade (Pantheon)
Benjamin Flao The Hidden Life of Trees (Greystone)
Merwan, Aster of Pan (Magnetic Press)
Eduardo Risso, The Blood Brothers Mother (DSTLRY)
Maria Sweeney, Brittle Joints (Street Noise Books)
Best Cover Artist
Juni Ba, The Boy Wonder (DC); Godzilla Skate or Die, TMNT Nightwatcher and others (IDW)
Evan Cagle, Dawnrunner (Dark Horse), New Gods, Detective Comics
Bilquis Evely, Animal Pound (BOOM!); Helen of Wyndhorn (Dark Horse)
Tula Lotay, Helen of Wyndhorn #1, Count Crowley: Mediocre Midnight Monster Hunter #3, Dawnrunner #1, Barnstormers TPB (Dark Horse); Somna and other titles (DSTLRY); The Horizon Experiment (Image)
Hayden Sherman, Absolute Wonder Woman, Batman: Dark Patterns, Superman, Ape-ril, Batman: The Brave and the Bold) (DC)
Best Coloring
Jordie Bellaire, Absolute Wonder Woman, Birds of Prey, John Constantine, Hellblazer: Dead in America, The Nice House by the Sea (DC); The City Beneath Her Feet (DSTLRY); The Exorcism at 1600 Penn (IDW; W0rldtr33 (Image); G.I. Joe, Duke (Image Skybound)
Matheus Lopes, Batman & Robin: Year One (DC); Helen of Wyndhorn (Dark Horse)
Justin Prokowich, Jimi Hendrix: Purple Haze (Titan Comics)
Javier Rodriguez, Zatanna: Bring Down the House) (DC)
Dave Stewart, Dawnrunner, Free Comic Book Day Comic 2024 [general], The Serpent in the Garden, Hellboy, Hellboy and the BPRD, Paranoid Gardens, Shaolin Cowboy Cruel to Be Kin Silent but Deadly Edition (Dark Horse); Ultramega, Universal Monsters: Creature from the Black Lagoon Lives! (Image Skybound)
Quentin Zuttion, All Princesses Die Before Dawn (Abrams ComicArts); Beauty Salon (Europe Comics)
Best Lettering
Becca Carey, Absolute Superman, Absolute Wonder Woman, Plastic Man No More! (DC); Radiant Black, Rogue Sun (Image); When the Blood Has Dried, Murder Kingdom (Mad Cave Studios)
Leela Corman, Victory Parade (Pantheon)
Clayton Cowles, Animal Pound (BOOM! Studios); FML, Helen of Wyndhorn (Dark Horse); Absolute Batman, Batman, Batman & Robin: Year One, Birds of Prey, Jenny Sparks, Wonder Woman (DC); Strange Academy, Venom (Marvel)
Emil Ferris, My Favorite Thing Is Monsters, Book Two (Fantagraphics)
Nate Powell, Fall Through (Abrams ComicArts); Lies My Teacher Told Me (New Press)
https://www.comic-con.org/awards/eisner-awards/?gad_source=1&gad_campaignid=15294682691&gbraid=0AAAAABgQqa3zVtbyhDSzyU-jR8hgAO39K&gclid=Cj0KCQjwoZbBBhDCARIsAOqMEZVk4WbubfMt_UVZcSBC-ms-0u0oPnyzzLHcTgx0SiuiuNB3K9B2rqEaAoF5EALw_wcB&mc_cid=be3038cf07&mc_eid=26743e6ec2 |
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Eisner Awards
